Some people love IKEA furniture. I’ve had my issues with the desk we bought there. Admittedly, I am partly the cause of the problem. The desk came in a flat box in 25 pieces, I am sure that I did not properly construct it from the outset.. And if it’s not properly built initially, then you are bound to have subsequent. Full disclosure: 23 years later we still use that desk. The lesson is that things don’t have to be perfect in order to be sturdy. Nevertheless, it is true that the more pieces an object comes in, the less sturdy and impressive that object will be. In this morning’s Parsha we read about two objects that were impressively made from one single piece. The Parsha opens with the command directed towards Aharon to light the Menorah. Thereafter, the Torah provides a one-pasuk description of the menorah’s construction: “This is the workmanship of the Menorah: hammered out (Miksha) of one piece of gold; from its base to its flowers it is hammered out.” The fact that the Menorah was sculpted out of one piece of gold was a feat so impressive that even Moshe was stumped as to how the menorah was to be constructed. Later in the Parsha, we read about the Chatzotzrot. Moshe was commanded to make two silver trumpets. Here again the Torah specifies that the trumpets must be “miksha”, shaped out of a single piece of silver. And though not mentioned in our Parsha, there is one additional ritual object that had to be shaped from one piece: the Keruvim, which sat on top of the Aron had to also be Miksha. The word Miksha comes from the word Kasha, which means hard or difficult. To sculpt these elaborate objects can certainly be considered difficult. But why were these three items singled out for Miksha treatment? Is there any common thread between the Menorah, the trumpets and the Keruvim that can help shed light on this shared construction requirement? The key to understanding the Miksha factor is by seeking the symbolism inherent in each of the aforementioned items. The Menorah symbolizes Torah knowledge. The Talmud in Baba Batra learns from the position of the Menorah in the mishkan that Harotzeh Sheyachkim Yadrim: one who wants to become learned must orient towards the Menorah, on the southern wall of the Mikdash. The Gemara in Sukah (5b) states that the Keruvim resembled children. The chatzotzrot symbolize happiness. In this morning’s Torah reading, the last pasuk relating to the trumpets sums up the instances in which they were blown (10: 10). The sound of the chatzotzrot was supposed to both foster and express our feelings of joy. Torah, children and happiness: three of the most fundamental and essential aspects of our lives. Each stands on its own as an important pursuit, and yet they are inextricably entwined one with the other. One might think that as fundamentals, success in these areas should be easy. The Torah makes the point to tell us each instance: “Miksha Hi.” They’re hard to accomplish and hard to maintain. These three values seem to pull us in three different directions. Spending time learning Torah versus time spent with our families. The financial stress of paying for a Jewish education for our children, and how much happier we imagine we could be without that burden. Some people believe that such tensions and questions are symptoms of a lack faith and that the Torah has a clear answer for every situation. By examining the menorah, the chatzotzrot and the keruvim, we are better equipped to appreciate that at times the Torah’s lesson is to embrace the challenge and the tension. By specifying these three objects the Torah teaches us that even with goals as essential as Torah, family and joy, it’s OK to say “Miksha Hi.” By appreciating the inherent difficulties, may we merit to enjoy the full measure of Hashem’s blessing in all of these important facets of our life.
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